Zì Carmela, the owner of a famous restaurant in Naples, wants her niece to marry an English peer and doesn't like her love story with Carlo the son of a baker. When the English lord comes to Naples with his family she throws a magnificent party during which however class differences come out. Will this convince her and stop her from being castles in the air?

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While Sebastián lives a standard life with his family, he's pulled outside of it when he caves into his desires on a mysterious and dark hill.

Aspiring singer Mario comes across a supposed countess willing to help him launching his career. In truth, she and her companions want to use unsuspecting Mario to smuggle valuable diamonds across the border into France.

Chiara, insegnante alla John Dewey High School di Brooklyn e promettente pugile della leggendaria Gleason's Gym, sogna di diventare campionessa dei pesi piuma. Cresciuta in una problematica famiglia italo-americana di Bensonhurst, si aggrappa alla boxe come unica via di riscatto. Dopo una breve ma eccezionale carriera costellata di sole vittorie, un terribile incidente sul ring la costringe a ritirarsi, infrangendo il suo sogno. Ma è nel buio più profondo della sua vita che Chiara trova “la fede”, una forza spirituale che la spinge a rialzarsi e a sfidare l’impossibile. Contro i pronostici del proprio medico, Chiara decide di riprendere in mano i guantoni, rischiando la vita pur di inseguire la sua ambizione.

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Live from La Scala Wednesday 13 May 1992

A film adaptation of Gaetano Donizetti's famous opera from 1835. Lucia is forced by her brother to marry for political reasons. Her fiancé reacts very badly and curses her. Lucia goes mad and her fiancé kills himself.

Donizetti wrote Lucia di Lammermoor in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of Lucia leaving Donizetti as "the sole reigning genius of Italian opera". Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Walter Scott dramatized these elements in his novel The Bride of Lammermoor, which inspired several musical works including Lucia.